As I’ve mentioned here, a large portion of my novel, Parnucklian for Chocolate, was written during my two years in the Low Residency MFA program at University of Nebraska. I graduated from the program in January of 2011, and spent the next five months finishing the first draft. My routine during the program, for the most part, or at least for part, was to get up early—like 5—and write for an hour before getting ready for work. I had read an article in AARP magazine while waiting for a doctor’s appointment that that had been Elmore Leonard’s routine when he was still selling insurance (I think that’s what it was, though the insurance part may be Wallace Stevens) as a day job.
During those five months after the program, my routine switched to afternoons. From 5 to 7 (with one game of minesweeper at the beginning and one at the end plus the option of one additional game commemorating any measurable or perceived accomplishment during those two hours), this change occurring mostly due to a change in school start time from 8 AM to 7:20.
But once the draft was complete, I wanted to keep up my routine and write every day, but I also lacked the energy to start something too heavy. So I started doing this: I would take an important date, use the largest number (usually the year) as page number, the next largest number (usually the day or the month) as line number, and the remaining number as word number. Then I grab a book and find the word and write a one-page story (sometimes longer, but usually not) beginning with that word. The dates I usually use are my birthday, Liz’s birthday, my mom’s birthday, Liz and I’s getting together anniversary, and now our wedding anniversary.
This didn’t actually keep up my routine, as it only takes fifteen or twenty minutes, but it has been a way to keep writing.
Here’s one of the first one’s I did. In fact, it’s probably the first one, because I don’t seem to have been using important birthdays yet, though the one on the next page of my notebook is using an important birthday. So this is a one-page story beginning with the 5th word on the 5th line of the 50th page of The Sun Also Rises, that word being the word, “He.”
That Phrase
He never knew what she meant when she used that phrase. Never understood it. But for years she’d been using it—saying it—and he’d been pretending he was right there with her, on the same page, etc. He’d picked up, sometime early on, that the appropriate response was a mild amount of laughter—a snicker—and it had never failed to fool her.
She probably picked it up from her family. Probably something some great aunt used to say. Or her mother. Or something her mother picked from her great aunt, or from her own mother. Something going back to the Old World through a succession of great aunts and mothers. For all he knew, she had as little idea what it actually meant as he did. Just had picked up, over the years, as he had, on the appropriate circumstances for its use and the accompanying tone. Was performing in its delivery as much as he was in its reception.
But the fact remained, regardless of the phrase’s origins, or her understanding of it, that he had been living this lie for years, and there was no way out of it.